Elke Memmler — German master, Academy of Arts in Halle — teaches how to free color from the object and let your watercolors breathe.
"The color is freed from the object, the shape changes — and becomes expression."
You've spent years learning watercolor properly — wet-on-wet, wet-on-dry, color theory, composition. You can paint a recognizable flower, a building, a sky. And yet, when you look at your work, something is missing. The technique is there. The mood isn't.
Elke Memmler's course is for the moment when technical correctness stops being enough. She spent 30+ years developing "watercolor expressionism" — the deliberate release of control that turns a painting from an illustration into something that breathes, vibrates, and stays with you.
A vibrant flower bouquet and an old German town — from blank paper to final veil.
Filmed over the artist's shoulder. Every brushstroke, every decision, narrated in real time.
Professional voiceover, not subtitles. Watch on any device, return whenever you want.
Bright, color-saturated, almost abstract — yet alive. Soap, napkins, white ink, and the deliberate accident.
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An old German town in expressive watercolor. From pencil drawing to final veil — atmosphere, texture, mood.
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Watercolorist · Stuttgart, Germany
For years, Elke painted correctly. Technically sound, compositionally solid — and completely lifeless. "I was copying reality," she says, "instead of responding to it."
The shift came slowly: she started letting the water move on its own, stopped fixing "mistakes", began treating accidents as decisions. That's when her work started to breathe — and she named what she was doing: watercolor expressionism.
Member of the Academy of Arts in Halle. Lecturer at the WCC Watercolor Club. Exhibited internationally, published across Europe.
Elke has a unique style, very free, perfectly conveys the mood of one moment. My work lacks emancipation, and Memmler has plenty of it.
Free, relaxed, fearless. Wonderful relationship between the artist and watercolors. Bold, easy, expert, exciting and very beautiful!
Impressed by her generous use of paint. I had new inspiration after a quite long painting pause. Great!
I liked the courage and emancipation of the master. Very consistent and understandable technical explanations.
I wanted to see how she works — starting from nature but drawing from herself in many ways. I want to try to draw in the same style!
Very conscientiously and in detail shares technical best practices. We are waiting for the next master classes with her.